The mysteries of human memory are deftly probed by Hilts, New York Times Washington correspondent on science and health policy (Scientific Temperaments, 1982, etc.). Hilts delves into the case of Henry M., who was left without a memory when drastic experimental brain surgery to relieve his epilepsy failed. Some 40 years after Henry's disastrous encounter with the surgeon's knife, researchers are still learning from his tragedy how the brain creates memories. Hilts came to know the gentle Henry as well as anyone can know a creature who lives only in the present moment. It's a fascinating account, made more so by Hilts's knack for finding concrete images, e.g., ``What . . . is now missing for Henry is the engine of memory which we use to catch the events of the world as they go by.'' Although Hilts notes that describing the mind's mysteries has been largely left to scientists who cannot express well what they know and to poets who can express well but know little, his own writing achieves a gracious balance between science and literature. He shares painful personal memories, and he seeks out articulate scientists to help him explain the biology and chemistry of memory. In addition, Hilts traces a kind of history of memoryfrom its precursors in the responses of simple animals to marks made on bone by early humans to Homer's catalogs of ships and warriors to Proust's Remembrance of Things Past. His conclusion, that memorythe central trait of the human mindis an act of construction, not of recording, and that memory's chief feature is its malleability, will afford little comfort to recovered memory therapists. Fans of Oliver Sacks will find much to savor here.
Pub Date: Aug. 1, 1995
ISBN: 0-684-80356-9
Page Count: 256
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1995
BOOK REVIEW
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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